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There has been such a enormous influx of people today wanting to make a living via wedding photography these days, that I virtually get as a large number of enquiries from people wanting to grow to be my assistant as I do enquiries from folks receiving married.
I've worked as a photographer for more than twenty years and have specialised in wedding photography for the past six, shooting among 35 and 40 weddings each and every year. The number of wedding photographers setting up in this location has massively increased in this time, which could be partly due to the amount of redundancies.
With the interest in digital photography being so high, all that an out of function banker, civil servant, estate agent, recruitment consultant has to do, is invest some of their redundancy income on a DSLR, create an reasonably priced, template website and sign up for Google AdWords. Hey presto a new wedding photography career is born!
Or is it? The initially massive issue is the lack of a portfolio. To get any individual to employ you on such an important day, you are going to require images to show what you can do. But to get a portfolio together you'll require to be photographing actual weddings. 1 way to do this is to get invited to as quite a few weddings as achievable and take your camera with you. I normally have aspiring photographers flanking me at weddings in the hope of getting precious shots to develop their portfolios. I also get grilled on every thing from which kit to use to marketing and advertising tactics too and am often pleased to advise, even though the key factor to remember is not to get in the way. It's also not advisable to shoot in the course of the actual ceremony, as there are normally strict and detailed rules that apply and these are discussed and agreed between the pro photographer and the priest / registrar beforehand. A rogue guest wielding DSLR, (full flash blazing, or not) can frequently bring a halt to proceedings, with an embarrassing reprimand and blanket ban on all photography to follow.
A different way that a number of try to gain images and experience, is to attempt to turn into an assistant / second shooter. Various provide to do this for zero cost, but there is a large distinction between assistant and second shooter and operating for absolutely nothing can have complications. An assistant would be expected to carry the bags, park the auto, hold the umbrella and so on. but really commonly wouldn't basically get to hold a camera other than to change the batteries. 1 or two fifteen hour days of doing this for free of charge is typically enough.
A second shooter would often be expected to photograph lesser aspects of the wedding (guests arriving, table details, flowers and so on.) On the other hand there can be troubles with weather you'll be allowed to actually claim the shots to use as your own. This is some thing that should certainly be discussed and agreed beforehand, because if you are employing the photographers equipment, quite a few pros would whisk the camera and disks away for editing and that would be the last you'll see of them.
Having said that, there is yet another way of gaining the confidence of your prospective clients which is quite surprisingly usually missed. I recommend that instead of aiming to go headlong into photographing weddings with the aim of a quick track to massive revenue bookings, aspiring wedding photographers should certainly concentrate on portraiture initial. Turn out to be a seriously superior photographer ahead of even contemplating taking on a wedding. Too many new wedding photographers think that they can find out the fundamentals on the job. Consistency is important. A mistake that quite a few make, is that they get the odd beneficial shot and collect them more than time giving themselves (and other people) the impression that they are definitely good photographers. But If you cannot realize a especially high normal just about every time you use your camera, then you're not prepared.
As soon as you have reached a honestly high standard and you have a wealth of consistently high excellent and varied portraits, you'll start to generate a style and not only be able to charge commissions for portrait shoots, but you will be in a much better position to convince a pro that you're up to the job of second shooter, gaining crucial knowledge of operating at weddings.
With this combination under your belt, you should be prepared to take on a true wedding by oneself. But make confident that your totally open to the clients about your knowledge. There is usually room for a further but only those who are of a pretty high standard will survive the competition.
Essentials to have in location before photographing your very first wedding:
• Contract - make positive you have clearly outlined your terms and conditions, what you are providing and payment particulars in a contract which need to be signed by the client
• Insurance - you need to have three insurances in location: public liability, skilled indemnity and equipment should be covered for loss or damage
• Back up equipment - a second camera charged and ready to use, plus lenses, flash, batteries and memory cards
